Building The Palace
Aurora has a rich history as a center for entertainment. At the turn of the 20th Century, vaudeville and silent films could be seen in many local venues, including Dreamland, The Majestic, The Strand (formerly the Grand Opera House) and The B.
In 1915, J.J. Rubens and other far-seeing theatre owners formed the Aurora Theater Company—a power group that guided Aurora’s moving picture business. New theatres were needed to accommodate the movies’ transition to “talkies.” Rubens, on a trip to Italy, began envisioning plans for a new theatre with a Venice theme—The Venetian. He called upon C.W. and George L. Rapp, nationally known architects of movie theatres, to be the designers. Combining Rubens’ Venetian theme with the fashionable Art Deco influence of the 1920s and early 1930s, Rapp & Rapp designed a breathtaking palace…what David Naylor referred to in American Picture Palaces – The Architecture of Fantasy as “their best Art Deco theatre.”
In 1930 however, prior to construction, Aurora Theater Company was sold to the Paramount-Famous-Lasky Corporation. Although it retained the Rapp & Rapp design, the theatre was renamed The Paramount, rather than The Venetian. The $1 million dollar building opened on September 3, 1931, to wonder, excitement, glamour, laughter and music. An organist was flown in to play the Wurlitzer, local dignitaries attended the opening, and telegrams arrived from Paramount Studios stars such as Claudette Colbert, Sylvia Sydney, and Janet Gaynor.
In addition to the movies, The Paramount also offered vaudeville, concerts, sing-a-longs and circus performances…all inside Illinois’ first air-conditioned building outside of Chicago. Acoustics and sight lines had been so well designed that there was not one bad seat in the house. The luxurious theatre gave its patrons a brief respite from the troubles of the Great Depression.
After 40 years of serving Aurora and the surrounding communities, age began to take its toll. Dirt and grime covered the walls, and beautiful murals, upholstery and curtains had become tattered and torn. In 1965, the Aurora Civic Center Authority and the Aurora Redevelopment Commission (ACCA/ARC) were established, heralding the beginning of downtown redevelopment in Aurora, and in 1973 the state of Illinois established the Civic Center Support Program as a means of funding designated cities towards the revitalization of their downtown areas. ACCA/ARC applied for and received funds of $15 million – $4.5 million from general revenue bonds issued by the city, and $10.5 million from state race track revenue.
The Paramount was open continuously until 1976 when ACCA purchased it from the Plitt Corporation. Plans for restoration began immediately and the firm of D’Escoto and Associates was hired as construction manager. Conrad Schmitt Studios were commissioned to restore the interior decor to its former grandeur. Working from black-and-white photographs dating back to 1931, obtained from the Theatrical History Society, Schmitt artisans and craftsmen gutted the interior and began restoration.
The eight hand-painted murals were in such poor shape that they had to be replaced. Each mural was traced and repainted on flame retardant, silk-like fabric and returned to its original position. The warm burgundy, coral, and peach colors of the panels were used as the primary color scheme for the renovations, including the reupholstered original seats. Old veneer and wallpaper were removed and replaced; broken plaster areas were repaired and repainted. The fluted columns that separate the murals were made from plaster, as were most of the surfaces under the decorative work, and were originally clad in German gold leaf. This covering, too expensive to duplicate, was replaced with foil that approximated the original look.
The artwork decorating the ceiling was restored using old photographs as references, and by creating stencils traced from art that was undamaged. A mere 20 percent of the ceiling needed repainting, the other 80 percent needed only cleaning and retouching. Fortunately, most of the Paramount’s interior just needed touching up rather than replacing.
Named one of the Top Ten Theatres in Chicago by the League of Chicago Theatres, the Paramount continues to provide world-class entertainment for an annual audience of over 300,000 patrons from over 250 communities.
The Paramount Theatre’s bold Broadway musical series has wowed critics, audiences and skeptics alike. To date, over 30,000 subscribers have signed up to take advantage of Paramount’s Broadway Series subscription offer, making it the second largest subscriber base in the state of Illinois. The theatre also hosts world-class entertainment from dance, comedy, music, classical, children’s programming and free community events.
The Paramount Theatre continues to expand its artistic and institutional boundaries under the guidance of President & CEO Tim Rater, Artistic Director Jim Corti, a dedicated Board of Trustees and a devoted staff of live theater and music professionals.
TOURS OF THE PARAMOUNT
Tours of the historic Paramount Theatre are available. Reservations required.
Please call (630) 896-6666. $5 per person. Proceeds go to the Paramount Historic Fund.